Okay. Here we go.
Most of these are no-brainers, except maybe a couple, which are, in fact, brainers.
#5. "Mr. Lucky"
I told you Mancini would be represented here.
A dazzling song, and a dazzling arrangement for a not so dazzling show.
The show was very watchable, and Ross Martin was wonderful on it, but they got
a guy to play Mr. Lucky whose only qualification for the role was that he looked
a helluva lot like Cary Grant.
He certainly didn't act like him.
The song had a far longer shelf-life than the show.
#4. "Open End. A/K/A "The David Susskind Show."
Whenever David Susskind produced anything, it absolutely reeked with class.
This was the case with the theme for "Open End"
It took me a while to track down the source for it's theme.
It turned out that its composer was Robert Farnon, who was considered the
Leroy Anderson of Canada. The theme can be found on a CD called "Canadian
Impressions". The theme itself is the first cut on the CD, called "Gateway
to the West" I thought it might have been from a movie that Susskind produced,
but I was mistaken. This was a brainer.
#3. "The Dick Powell Theater"
Probably the most exciting and innovative use of opening titles ever, using still
photo clips of action from the show, to the rhythm of the music.
Some of this music originated a few years earlier on "Richard Diamond, Private Detective",
also owned by Powell's company.
So at least some of it was already in the library.
But then the Powell theme swelled orchestrally into something magnificent,
and it was what was used for the closing credits.
#2. "Route 66"
It was a virtual toss-up for number 1 and number 2. "Route 66" was a great show,
and Nelson Riddle's theme for it was groundbreaking, inspiring, and made this very young New Yorker,
who had never left the Tri-State area, want to see what else was out there.
And it didn't have to be in a Corvette.
#1. "Playhouse 90"
The song itself, the orchestration, the way it was used to present the show, and the composer, Alex North, were unmatched.
The release of the song, the middle part, was also astounding.
I really can't say enough about it.
So there you have it.
Now, you can all feel free to call me on the carpet for the ones you think I wrongfully left out.
I look forward to defending myself.
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You don't need a Kindle machine to download them.
Just get the free app from Kindle, and they can be downloaded to an IPhone, IPad, or Blackberry.
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I have many readings and signings remaining, and the thing about Kindle is you can't sign one.
If you'd like one, contact me at firstname.lastname@example.org.
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- mark rothman
- Hi. I am, according to my Wikipedia entry,(which I did not create) a noted television writer, playwright, screenwriter, and occasional actor. You can Google me or go to the IMDB to get my credits, and you can come here to get my opinions on things, which I'll try to express eloquently. Hopefully I'll succeed. You can also e-mail me at email@example.com. Perhaps my biggest claim to fame is being responsible, for about six months in 1975, while Head Writer for the "Happy Days" TV series, for Americans saying to each other "Sit on it."